March 13, 2026, AUSTIN, TX – Amy Jenkins’ “Adam’s Apple,” the best doc I’ve seen at this year’s SXSW, might be dismissed as little more than someone else’s home movies. This would be wrong. Not only is the assemblage of years of Jenkins’ personal filmmaking of her son Adam’s journey remarkably edited, but there’s a vulnerability here that shouldn’t be diminished by presuming this kind of display is remotely easy.