October 21, 2026, Portland, OR – Portland’s queer documentary festival turns 18 this year and got you something so iconic. As a trans teenager with some agency over his own life, Adam Sieswerda’s life is a little unusual, and became even more so when he decided to make a documentary with his mom. Adam’s Apple follows Sieswerda and said mother—visual artist and filmmaker Amy Jenkins—as they each shoot their own footage to capture both the banality and utter newness of Sieswerda’s adolescence.
Main Content
A transgender teen and his mother chronicle their lives, artistically weaving a rare and intimate portrait of a family in transition. Two decades of footage trace a boy’s path to manhood and his parents' vulnerability as they reckon with change.
ADAM’S APPLE is an intimate, collaborative documentary told through the dual perspectives of Adam, a transgender teen, and his mother, visual artist Amy Jenkins, offering an authentic and tender counterpoint to the hostility facing trans youth today. Adam’s journey balances the milestones of gender transition with the rhythms of adolescence. As Adam asserts his identity and steps out into the world, his parents grapple with the challenges of raising a teen while learning to let go. Through a visually poetic approach, the film transforms a deeply personal archive, collected over two decades, into a powerful, joyful testament to the beauty and difficulty of reckoning with profound change.
ADAM'S APPLE world premiered at SXSW in Austin, TX, and had its international premiere at CPH:DOX in Copenhagen.
You can find our upcoming and past screenings here. Grab tickets through our Linktree, and read or add to our reviews on Letterboxd. If you'd like to stay in the loop as we bring the film to audiences, sign up for our mailing list for updates.
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News
September 2, 2026, Port Townsend, WA – “My own high school years did not include a pandemic lockdown, but in so many ways — from fussing with his hair to wanting to spread his wings away from home — watching Adam grow up felt like watching an old home movie of my cisgender self.”
August 11, 2026, Melbourne – “One of the most intimate captures of what it’s like to be a parent … intimate like a home movie, but with the slightest hand, through some interesting cinematography and stellar editing work.”
July 10, 2026, New York, NY – “Co‑collaborating with his filmmaking mom, Amy Jenkins, Adam Sieswerda’s self‑portrait about his transitioning during adolescence in a rural New Hampshire house is a beautiful form of self‑expression and boyhood that will make tons of trans youth feel seen … It shows how simple it really is to let your kid live fully and freely.”
June 11, 2026, SAN FRANCISCO, CA – Reminiscent of Richard Linklater’s “Boyhood,” this lovely documentary chronicles the coming-of-age story of trans kid Adam, from infancy to his first day in college. The movie was filmed over the years by Adam and his supportive mother, and an effortless intimacy pervades the film. Like the caterpillar that becomes a butterfly at the family home, Adam naturally transitions before our eyes.
April 24, 2026, BOSTON, MA – Amy K. Jenkins often has a camera of some sort in her hands. A visual artist and instinctive archivist, she likes to capture the rhythms of everyday life, including the doings of her family in Peterborough, New Hampshire.
March 19, 2026, AUSTIN, TX – Amy K. Jenkins’ intimate dual compilation portrait, Adam’s Apple, about her trans son Adam Sieswerda, feels like a powerful response to the Trump era’s inaccurate views of trans kids. The doc, which premiered at SXSW 2026, is a raw and vulnerable, decade-sprawling tale about a rural northeastern family’s evolution as the eldest child embarks on a transition journey.
March 13, 2026, AUSTIN, TX – Amy Jenkins’ “Adam’s Apple,” the best doc I’ve seen at this year’s SXSW, might be dismissed as little more than someone else’s home movies. This would be wrong. Not only is the assemblage of years of Jenkins’ personal filmmaking of her son Adam’s journey remarkably edited, but there’s a vulnerability here that shouldn’t be diminished by presuming this kind of display is remotely easy.